![]() The idea that it's unworthy (or troll-worthy) because haven't heard anything you like made with it is the kind of twaddle I hear about music software a lot, and it doesn't get any less fallacious the more it's repeated. Solarlune playlist is good,Īnd NightRadio of if you can't make something you like with it, (or not quickly enough?) I would definitely say: avoid it. Search SunVox, on YouTube there's a lot of material there. ![]() Everytime I open it I get intimidated and flustered. Purely my said:Īny suggestions that can help me understand this app more. Pretty is in the eye of the beholder, and access always has to be learned, but access issues are also very personal.Īny suggestions that can help me understand this app more. Pretty is in the eye of the beholder, and access always has to be learned, but access issues are also very said: I'm grown to kind of like the interface, especially the part about being able to push all of the interface you don't need at the moment, out of the way. I'm grown to kind of like the interface, especially the part about being able to push all of the interface you don't need at the moment, out of the said: ![]() Also, you know the keyboard and everything else in the Sunvox GUI slides around and rescales with touch drag gestures.and buttons and text are also user scalable. Also, you know the keyboard and everything else in the Sunvox GUI slides around and rescales with touch drag gestures.and buttons and text are also user said:Īdding easy import of PixiTracker projects into SunVox also made a big difference to my work with both apps.adding an easy (iSequence-style) clip entry front panel to what can then go deep (synthesis-wise, fx-wise, composition-wise and AB-wise etc etc) working inside SunVox is big. Started to see beauty after a point, but if NightRadio changes the GUI I wouldn't bitch, I'd follow dude wherever he wants to take it.Īdding easy import of PixiTracker projects into SunVox also made a big difference to my work with both apps.adding an easy (iSequence-style) clip entry front panel to what can then go deep (synthesis-wise, fx-wise, composition-wise and AB-wise etc etc) working inside SunVox is big. Ultimately it became "form follows function" and I worked with the interface and learned to appreciate it for what lies beneath. Ive had waves of being put off by the interface, over the years. I like to play on the touchscreen and the keyboard is not good and in a weird spot so it all goes downhill from there. I'd be there in a heartbeat if it were somehow reimagined but longtime users would be PISSED I'm sure. Kudos to anyone who uses Sunvox like a pro. Almost like they fit a given mode which hasn’t attracted the same kind of subversion as, say, the Korg Electribe or Roland TR-808. Trackers have had a big part to play, but they’re not that obvious as part of the mainstream DAWs. Lots of possibilities but a whole lot of people focus on a few basic approaches. There’s also livecoding, which could lead to something quite different if you think away from the text input. Reminds me a bit of Max/MSP and Pure Data. People here rave about KRFT and that clearly sounds like a new approach. Trackers, step sequencers, piano rolls, MPC-style 4x4 drumpads, scenes, etc. In fact, the app’s design reminds me of Brutalism.įunnily enough, part of my academic interest, these days, is about the development of these core models for musicking with digital devices. The heavyweight digital audio workstations will probably go the same way, I suggest.Ĭatching your drift. I don't think there'll be quite so much endless skeuomorphic renditions of 'vintage' synths from the 70s, because those will simply not be remembered as such and will fade from awareness. To be perfectly honest, I see Sunvox (of which I'm still hardly 'in' at all) as what software synthesis will resemble in a few hundred years or so.
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